Sunday, October 13, 2019

Proces art Essay -- Essays Papers

Proces art In mid 20th century, the art world completely changed into a new way of expressing ideas. Many artists began to look for different ideas and styles. It started in the 1960s and 1970s, as many artists attempted to free art from the art markets—a system in which works of art become commodities to be bought and sold or held as a financial investment (Lucie-Smith 220). They wanted to create art that would be too short-lived to be sold. To them the beauty of their work is the process of it. This includes the Earthworks artists Robert Smithson, Michael Heizer, Walter De Maria, and Nancy Holt, not only they were interest in the process of making it, also intrigued by how the forces of nature could be incorporated in a work of art. As the technology become more advance; these artists chose to move their work outdoor. Instead of brushes or pencils, â€Å"they used bulldozers and other machinery to move earth into giant sculptural forms†(). They believed that everything on this world is a part of a process. According to philosopher Alfred North Whitehead, every real-life object may be understood as a similarly constructed series of events and processes (Donald, 852). They began to see the importance of forces of nature and the process of their work. Earthworks artists has been developed in many ways, such as the processing idea and social influences, the subject matter, and the style. These artists were influenced by the idea of process, when Whitehead introduces the notion of an actual occasion. According to his view, an actual occasion is not an enduring substance, but a process of becoming (Donald 852). This influenced the thinking of process, and the notion that sometime things falling apart are far more interesting than building it. As we see in Smithson's work Spiral Jetty (1970), which made a giant coil of earth, rock, and salt crystals extending outward from the shore of the Great Salt Lake in Utah. He left it vulnerable to the natural forces of rain, wind, and erosion. To him, time of his work is so important that is one of his most important mediums (Flam XIX). He also mentions the idea of entropy. In nature green plants use light energy from the sun to manufacture carbohydrates for their own needs. Most of this energy is processed and dissipated as heat in respiration. After that it converts the remaining energy to biomass, to both woody... ...ny canyons. You cannot tell the difference of these changes when you look at it, but a stone from there can tell you a lot more, because it show the process. Of course a scientist can tell the changes in a site, but a stones are easier. To us, an abstract way to think about that stone is way deeper than the site. The idea of whole site tends to evaporate. â€Å"The closer you think you're getting to it and the more you circumscribe it† (245). The site is a place where that stone should be but isn't, now the stone is elsewhere, where it cannot evaporate as fast. Now the stone brought back into non-site, where it could be a room. Its regular process will â€Å"take place outside room. But the room reminds us of the limitations of our condition†(245). So, that we understand what process is all about. Work Cited Donald W. Sherburne, "Whitehead, Alfred North", in The Cambridge Dictionary of Philosophy, Robert Audi (ed.), Cambridge: Cambridge University Press, 1995. Flam, Jack, ed. Robert Smithson: The Collect Writing, University of California Press, 1996. Traver. Ancient forests, 1998 online. Greenpeace USA. Internet. 19 Sept. 2002. Available:

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